Beyoncé wrapped her Cowboy Carter and The Rodeo Chitlin’ Circuit world tour in Las Vegas this past Saturday with a climactic, surprise, DC3 reunion, and the #Beyhive is already buzzing about what the Queen of pop, country, rap, opera, and R&B is going to do next. As we wait for the diva’s next act (ACT III), HelloBeautiful decided to fill the silence with a psychological review of Beyoncé’s eight-album discography on the three year anniversary of her afro-futurist-powered Renaissance debut. Beyoncé’s eight-solo studio albums, released across two decades (2003-2024), show not only the evolution of an artist, but the evolution of a woman.

Nina Simone once said, “An artist’s duty, as far as I’m concerned, is to reflect the times,” and if there is any modern artist who has used their discography to hand-walk culture through the evolution of feminine consciousness over the past two decades, it’s Beyoncé Giselle Knowles-Carter. From Dangerously In Love to Cowboy Carter, we listen to Beyoncé weave through every feminine archetype.

Beyoncé Albums By Archetype

Archetypes, according to famed Swiss psychologist Carl Jung, are described as universal models of behaviors and personalities that play a role in influencing human behavior. Jung’s theory of the collective unconscious states that these models or archetypes, like The Queen, The Maiden, and The Crone have accumulated in the unconscious mind of humanity since the dawn of civilization and are passed on through our ancestors. Although Jung, known as the father of modern psychology, is often credited with creating the concept of archetypes, the idea existed long before his 20th century seminal work, The Archetypes and the Collective Unconscious. Indigenous cultures like African, Native American, and South Asian folks have used archetypes to describe different aspects of the feminine psyche for generations, passed on through folklore and oral histories.

The late Ayesha K. Faines, writer, Jungian researcher, and CEO of Women Love Power said, “There are seven feminine archetypes that prevail in contemporary western society, the mother, the maiden, the queen, the huntress, the sage, the mystic, and the lover. The presence of these archetypes in our psyches accounts for the major differences among women.”

For my exploration of Beyoncé’s albums from the lens of feminine archetypal evolution, I will pull from the work of Jung, Faines, and psychologists to pair each Beyoncé project with the archetypal essence it embodies. While Cowboy Carter, certainly isn’t Beyoncé’s final, cumulative work, the album does tell the story of a woman who has seemingly mastered, as Jung calls it, individuation, which is seen as a crowning moment in the psyche where two opposing sides of oneself (the shadow and conscious awareness) start seeing each other as partners, not opposites or enemies. At a time where America is holding the tension of its history on taut seams, Beyoncé’s Cowboy Carter Americana-themed work demonstrates not only the integration of her own complex musical dexterity, but also a mirror-reflection of a femme-future, where the psyche of the Black woman fully embodies her fullness, from the naïvety and innocence of The Maiden to the shrewd wisdom of The Crone.

Which Beyoncé album most represents your psyche right now? Scroll through and find out.

A Breakdown Of Beyoncé’s Albums By Psychological Feminine Archetypes  was originally published on hellobeautiful.com